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In this bestselling and delightfully quirky debut novel from Sweden, a grumpy yet loveable man finds his solitary world turned on its head when a boisterous young family moves in next door.
Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him “the bitter neighbor from hell.” But must Ove be bitter just because he doesn’t walk around with a smile plastered to his face all the time?
Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents’ association to their very foundations.
A feel-good story in the spirit of The Unlikely Pilgrimage of Harold Fry and Major Pettigrew’s Last Stand, Fredrik Backman’s novel about the angry old man next door is a thoughtful and charming exploration of the profound impact one life has on countless others.
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“A thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King You followed The Passage. You faced The Twelve. Now enter The City of Mirrors for the final reckoning. As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness. The world we knew is gone. What world will rise in its place? The Twelve have been destroyed and the terrifying hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future. But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy—humanity’s only hope, the Girl from Nowhere who grew up to rise against him. One last time light and dark will clash, and at last Amy and her friends will know their fate. Advance praise for *The City of Mirrors * “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language.”—Stephen King
“Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—Publishers Weekly (starred review) “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—Library Journal (starred review)
Praise for Justin Cronin “One of those rare authors who work on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram The Passage “Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”—*Time “Read this book and the ordinary world disappears.”*—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News * The Twelve * “[A] literary superthriller, driven at once by character and plot.”—The New York Times Book Review “Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology.”—The San Diego Union-Tribune “An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee* Journal Sentinel*
From the Hardcover edition.
Advance praise for *The City of Mirrors “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language. The City of Mirrors* is a thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King**
“Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—*Publishers Weekly (starred review)* “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—*Library Journal (starred review)*
Justin Cronin is the "New York Times" bestselling author of "The Passage, " "The Twelve, Mary and O Neil" (which won the PEN/Hemingway Award and the Stephen Crane Prize), and "The Summer Guest." Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writers Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts."
A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality--the black Chinese restaurant.
Born in the "agrarian ghetto" of Dickens--on the southern outskirts of Los Angeles--the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral.Fuelled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident--the last surviving Little Rascal, Hominy Jenkins--he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
I have a meanness inside me, real as an organ.
Libby Day was seven when her mother and two sisters were murdered in “The Satan Sacrifice of Kinnakee, Kansas.” As her family lay dying, little Libby fled their tiny farmhouse into the freezing January snow. She lost some fingers and toes, but she survived–and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, Ben sits in prison, and troubled Libby lives off the dregs of a trust created by well-wishers who’ve long forgotten her.
The Kill Club is a macabre secret society obsessed with notorious crimes. When they locate Libby and pump her for details–proof they hope may free Ben–Libby hatches a plan to profit off her tragic history. For a fee, she’ll reconnect with the players from that night and report her findings to the club . . . and maybe she’ll admit her testimony wasn’t so solid after all.
As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the narrative flashes back to January 2, 1985. The events of that day are relayed through the eyes of Libby’s doomed family members–including Ben, a loner whose rage over his shiftless father and their failing farm have driven him into a disturbing friendship with the new girl in town. Piece by piece, the unimaginable truth emerges, and Libby finds herself right back where she started–on the run from a killer.
Starred Review. Edgar-finalist Flynn's second crime thriller tops her impressive debut, Sharp Objects. When Libby Day's mother and two older sisters were slaughtered in the family's Kansas farmhouse, it was seven-year-old Libby's testimony that sent her 15-year-old brother, Ben, to prison for life. Desperate for cash 24 years later, Libby reluctantly agrees to meet members of the Kill Club, true crime enthusiasts who bicker over famous cases. She's shocked to learn most of them believe Ben is innocent and the real killer is still on the loose. Though initially interested only in making a quick buck hocking family memorabilia, Libby is soon drawn into the club's pseudo-investigation, and begins to question what exactly she saw—or didn't see—the night of the tragedy. Flynn fluidly moves between cynical present-day Libby and the hours leading up to the murders through the eyes of her family members. When the truth emerges, it's so twisted that even the most astute readers won't have predicted it. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Libby Day, the protagonist of Flynn’s disturbing second novel, was, as a seven-year-old, the only survivor of her family’s brutal murder by her older brother, an event dubbed by the media the “Satan Sacrifice of Kinnakee, Kansas.” Twenty-five years later, she has become a hardened, selfish young woman with no friends or family. Since the tragedy, her life has been paid for by donations of well-wishers, but, with that fund now empty, Libby must find a way to make money. Her search leads her to The Kill Club, a secret society of people obsessed with the details of notorious murders. As Libby tries to gather artifacts to sell to The Kill Club (whose members, it turns out, doubt the guilt of her brother), she is forced to reëxamine the events of the night of the murder. Flynn’s well-paced story deftly shows the fallibility of memory and the lies a child tells herself to get through a trauma. Copyright ©2008 Click here to subscribe to The New Yorker
SUMMARY: "First, there were ten - a curious assortment of strangers summoned as weekend guests to a private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal - and a secret that will seal their fate. For each has been marked for murder, and one by one they begin to fall prey to an unseen hand. As the only people on the island, unable to leave and unable to call for help, they know that the only possible suspects are among their number. And only the dead are above suspicion."--BOOK JACKET.
SUMMARY: A BBC full-cast radio drama starring Maurice Denham as the great Belgian detective. A millionaire strikes a deal on the seedier side of Paris and gives to his heartsick daughter, Ruth Kettering, the "Heart of Fire," one of the world's legendary jewels. Legend has it that the possession of the jewel leads to death - but despite her father's protests, young Ruth decides to take it with her on the Blue Train to the French Riviera, where she has planned a reunion with her former lover. A few days into the journey, Ruth is found dead and her priceless rubies stolen. The suspects line up: could the murderer be Derek, her weak and greedy husband; Ruth's former lover, the Comte de la Roche; or the beautiful but tempestuous dancer Mirelle? Only master sleuth Hercule Poirot can unravel the mystery and find the truth.
SUMMARY: Hercule Poirot has a hard time finding a single suspect in the murder of an old lady everyone loved.
Ebenezer Le Page, cantankerous, opinionated, and charming, is one of the most compelling literary creations of the late twentieth century. Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island.
G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.
"Imagine a weekend spent in deep conversation with a superb old man, a crusty, intelligent, passionate and individualistic character at the peak of his powers as a raconteur, and you will have a very good ideas of the impact of The Book of Ebenezer Le Page...It amuses, it entertains, it moves us...” –The Washington Post
"A true epic, as sexy as it is hilarious, it seems drenched with the harsh tidal beauties of its setting...For every person nearing retirement, every latent writer who hopes to leave his island and find the literary mainland, its author–quiet, self-sufficient, tidy Homeric–remains a patron saint." –Allan Gurganus, O Magazine
SUMMARY: The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: British/ Italy/ Fiction; Young women/ Fiction; Florence (Italy); England; British; Young women; Humorous stories; England - Fiction; British - Italy; Fiction / Classics; Fiction / Literary; Fiction / General; Fiction / Classics; Fiction / Humorous; Fiction / Literary; Foreign Language Study / English as a Second Language; Foreign Language Study / Japanese; History / Europe / Italy; Language Arts
EDITORIAL REVIEW: **The long-awaited new novel from Margaret Atwood. *The Year of the Flood* is a dystopic masterpiece and a testament to her visionary power. **The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . .By turns dark, tender, violent, thoughtful, and uneasily hilarious, *The Year of the Flood* is Atwood at her most brilliant and inventive.
SUMMARY: For over fifty years, J.R.R. Tolkien’s peerless fantasy has accumulated worldwide acclaim as the greatest adventure tale ever written.No other writer has created a world as distinct as Middle-earth, complete with its own geography, history, languages, and legends. And no one has created characters as endearing as Tolkien’s large-hearted, hairy-footed hobbits. Tolkien’s The Lord of the Rings continues to seize the imaginations of readers of all ages, and this new three-volume paperback edition is designed to appeal to the youngest of them.In ancient times the Rings of Power were crafted by the Elvensmiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, still it remained lost to him . . .
EDITORIAL REVIEW: *Great Expectations*, by **Charles Dickens**, is part of the *Barnes & Noble Classics** *series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of *Barnes & Noble Classics*: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. *Barnes & Noble Classics *pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.** *Great Expectations*, described by G. K. Chesterton as a “study in human weakness and the slow human surrender,” may be called **Charles Dickens**’s finest moment in a remarkably illustrious literary career.In an overgrown churchyard, a grizzled convict springs upon an orphan named Pip. The convict terrifies the young boy and threatens to kill him unless Pip helps further his escape. Later, Pip finds himself in the ruined garden where he meets the bitter and crazy Miss Havisham and her foster child Estella, with whom he immediately falls in love. After a secret benefactor gives him a fortune, Pip moves to London, where he cultivates great expectations for a life which would allow him to discard his impoverished beginnings and socialize with the idle upper class. As Pip struggles to become a gentleman and is tormented endlessly by the beautiful Estella, he slowly learns the truth about himself and his illusions.Written in the last decade of his life, *Great Expectations* reveals Dickens’s dark attitudes toward Victorian society, its inherent class structure, and its materialism. Yet this novel persists as one of Dickens’s most popular. Richly comic and immensely readable, *Great Expectations* overspills with vividly drawn characters, moral maelstroms, and the sorrow and pity of love.**Radhika Jones** is a doctoral candidate in English and comparative literature at Columbia University and the managing editor of *Grand Street magazine*.
EDITORIAL REVIEW: On a summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment’s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant. But Briony’s incomplete grasp of adult motives and her precocious imagination bring about a crime that will change all their lives, a crime whose repercussions* Atonement* follows through the chaos and carnage of World War II and into the close of the twentieth century.
SUMMARY: Featuring a new preface, this classic satire on totalitarianism in which farm animals overthrow their human owner and set up their own government is once again brought to life for a new generation of readers. Reissue.
SUMMARY: Considered one of Dickens's greatest works, "Bleak House" scathingly portrays his belief: "The one great principle of the English law is to make business for itself." Peopled with both comic and tragic characters, including one of literature's first detectives, this classic celebrates the 150th anniversary of its first publication. Original.
Throughout her blockbuster career, #1 New York Times bestselling author Jodi Picoult has seamlessly blended nuanced characters, riveting plots, and rich prose, brilliantly creating stories that “not only provoke the mind but touch the flawed souls in all of us” (The Boston Globe). Now, in her highly anticipated new novel, she has delivered her most affecting work yet—a book unlike anything she’s written before. For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice’s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts. Desperate to find the truth, Jenna enlists two unlikely allies in her quest: Serenity Jones, a psychic who rose to fame finding missing persons, only to later doubt her gifts, and Virgil Stanhope, the jaded private detective who’d originally investigated Alice’s case along with the strange, possibly linked death of one of her colleagues. As the three work together to uncover what happened to Alice, they realize that in asking hard questions, they’ll have to face even harder answers. As Jenna’s memories dovetail with the events in her mother’s journals, the story races to a mesmerizing finish. A deeply moving, gripping, and intelligent page-turner, Leaving Time is Jodi Picoult at the height of her powers.Praise for Jodi Picoult “Picoult writes with unassuming brilliance.”—Stephen King “It’s hard to exaggerate how well Picoult writes.”—Financial Times “Picoult writes with a fine touch, a sharp eye for detail, and a firm grasp of the delicacy and complexity of human relationships.”—The Boston Globe “Picoult is a master of the craft of storytelling.”—Associated PressFrom the Hardcover edition.
This novel won both the Pulitzer Prize and the National Book Award in 195. An allegorical story of World War I, set in the trenches in France and dealing ostensibly with a mutiny in a French regiment, it was originally considered a sharp departure for Faulkner. Recently it has come to be recognized as one of his major works and an essential part of the Faulkner "oeuvre." Faulkner himself fought in the war, and his descriptions of it "rise to magnificence," according to "The New York Times," and include, in Malcolm Cowley's words, "some of the most powerful scenes he ever conceived."
SUMMARY: Korean edition of The Brief Wondrous Life of Oscar Wao - a brilliant debut novel and Winner of the Pulitzer Prize by a Dominican-American writer Junot Diaz. Diaz satirizes the bloody history of violence, suppression under Trujillo's tyrannical power through the life of a immigrant family and the surviving struggles.
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In this bestselling and delightfully quirky debut novel from Sweden, a grumpy yet loveable man finds his solitary world turned on its head when a boisterous young family moves in next door.
Meet Ove. He’s a curmudgeon—the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him “the bitter neighbor from hell.” But must Ove be bitter just because he doesn’t walk around with a smile plastered to his face all the time?
Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents’ association to their very foundations.
A feel-good story in the spirit of The Unlikely Pilgrimage of Harold Fry and Major Pettigrew’s Last Stand, Fredrik Backman’s novel about the angry old man next door is a thoughtful and charming exploration of the profound impact one life has on countless others.
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