Time travel, fantasy and alternate history are themes that capture and hold some very loyal readers. Older fans may need or just prefer Large Print; younger fans are often encouraged to read by Large Print.This series offers selections from current and bestselling authors as well as perennial favorites and true classics of the genre.In this ninth book in The Chronicles of Amber series Merle Corey, a.k.a. Merlin, pursues the disappearance of the two people dearest to him: Julia, once murdered and now reincarnated as his enemy, and his father who leaves behind tantalizing signs of life on purpose.What enfolds is a dizzying game of magic and mayhem as Merlin finds himself transported into the shadow realm by the ghost of his great-grandfather . . .
In the conclusion of the first cycle in the Amber series, Corwin finds his world dissolving slowly around him. His father, Oberon, who is disguised as Corwin's friend Ganelon, steals the Jewel of Judgment and tries to remake the Pattern which Brand has marred. When Oberon's efforts fail, Corwin is the only surviving son of Amber with the power to battle Brand.
The fourth novel follows Corwin and the remaining princes of Amber as they use their superhuman powers to defeat their brother-turned-traitor.Returning to Shadow Earth to investigate a threat against his life, Corwin discovers that the Jewel of Judgment has been stolen by his traitorous brother, Brand, who plans to use the gem to reshape the universe.
Accepting the responsibilities as ruler to the world of Amber, Corwin finds himself the target of sibling treachery, and must seek guidance in a land of visions, where a sinister prediction foretells his doom. Reissue.
In a startling departure from her previous novels ( Lady Oracle , Surfacing ), respected Canadian poet and novelist Atwood presents here a fable of the near future. In the Republic of Gilead, formerly the United States, far-right Schlafly/Falwell-type ideals have been carried to extremes in the monotheocratic government. The resulting society is a feminist's nightmare: women are strictly controlled, unable to have jobs or money and assigned to various classes: the chaste, childless Wives; the housekeeping Marthas; and the reproductive Handmaids, who turn their offspring over to the "morally fit" Wives. The tale is told by Offred (read: "of Fred"), a Handmaid who recalls the past and tells how the chilling society came to be. This powerful, memorable novel is highly recommended for most libraries. BOMC featured alternate. Ann H. Fisher, Radford P.L., Va.Copyright 1986 Reed Business Information, Inc.
“A taut thriller, a psychological study, a play on words.…A rich and complex book.”–New York Times
“Atwood has peered behind the curtain into some of the darkest, most secret, yet oddly erotic corners of the mind, and the result is a fascinating, wonderfully written, and disturbing cautionary tale.”–Toronto Sun“A novel that will both chill and caution readers and which may challenge everyday assumptions.…It is an imaginative accomplishment of a high order. . . . ”–*London Free Press
*“Moving, vivid and terrifying. I only hope it is not prophetic.”–Conor Cruise O’Brien
“A novel that brilliantly illuminates some of the darker interconnections of politics and sex.…Satisfying, disturbing and compelling.” –Washington Post“The most poetically satisfying and intense of all Atwood’s novels.”–Maclean’s“It deserves an honored place on the small shelf of cautionary tales that have entered modern folklore – a place next to, and by no means inferior to, Brave New World and 1984.”–Publishers Weekly
“Deserves the highest praise.” –San Francisco Chronicle
“In The Handmaid’s Tale, Margaret Atwood has written the most chilling cautionary novel of the century.”–Phoenix Gazette “Imaginative, even audacious, and conveys a chilling sense of fear and menace.”–Globe and Mail“Margaret Atwood’s novels tickle our deepest sexual and psychological fears. The Handmaid’s Tale is a sly and beautifully crafted story about the fate of an ordinary woman caught off guard by extraordinary events. . . . A compelling fable of our time.”–...
Introducing an instant classic—master storyteller Neil Gaiman presents a dazzling version of the great Norse myths.
Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki, son of a giant, blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman, difficult with his beard and huge appetite, to steal it back. More poignant is the tale in which the blood of Kvasir, the most sagacious of gods, is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people.
Through Gaiman’s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
“A thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King You followed The Passage. You faced The Twelve. Now enter The City of Mirrors for the final reckoning. As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness. The world we knew is gone. What world will rise in its place? The Twelve have been destroyed and the terrifying hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future. But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy—humanity’s only hope, the Girl from Nowhere who grew up to rise against him. One last time light and dark will clash, and at last Amy and her friends will know their fate. Advance praise for *The City of Mirrors * “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language.”—Stephen King
“Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—Publishers Weekly (starred review) “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—Library Journal (starred review)
Praise for Justin Cronin “One of those rare authors who work on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram The Passage “Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”—*Time “Read this book and the ordinary world disappears.”*—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News * The Twelve * “[A] literary superthriller, driven at once by character and plot.”—The New York Times Book Review “Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology.”—The San Diego Union-Tribune “An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee* Journal Sentinel*
From the Hardcover edition.
**
Advance praise for *The City of Mirrors “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language. The City of Mirrors* is a thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King**
“Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—*Publishers Weekly (starred review)* “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—*Library Journal (starred review)*
Justin Cronin is the "New York Times" bestselling author of "The Passage, " "The Twelve, Mary and O Neil" (which won the PEN/Hemingway Award and the Stephen Crane Prize), and "The Summer Guest." Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writers Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts."
From the award-winning, New York Times bestselling author of NOS4A2 and Heart-Shaped Box comes a chilling novel about a worldwide pandemic of spontaneous combustion that threatens to reduce civilization to ashes and a band of improbable heroes who battle to save it, led by one powerful and enigmatic man known as the Fireman.
The fireman is coming. Stay cool.
No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it’s Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.
Harper Grayson, a compassionate, dedicated nurse as pragmatic as Mary Poppins, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term. At the hospital, she witnessed infected mothers give birth to healthy babies and believes hers will be fine too. . . if she can live long enough to deliver the child.
Convinced that his do-gooding wife has made him sick, Jakob becomes unhinged, and eventually abandons her as their placid New England community collapses in terror. The chaos gives rise to ruthless Cremation Squads—armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious and compelling stranger she briefly met at the hospital, a man in a dirty yellow fire fighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged.
In the desperate season to come, as the world burns out of control, Harper must learn the Fireman’s secrets before her life—and that of her unborn child—goes up in smoke.
An Amazon Best Book of May 2016: I admit, when I hit a saggy part in a story, I do skip ahead to see if the plot will pick up again. At no point in Joe Hill’s doorstop-weight novel did I have that urge, for each and every page had me entranced. Set in New Hampshire right about now, The Fireman opens with a man spontaneously combusting outside the office of school nurse Harper Grayson. He’s not the first victim of Draco incendia trychophyton, the spore responsible for this transformation, but he’s the signal that Dragonscale has spread to Harper’s small town. It also spreads to Harper soon after she realizes she’s pregnant. Highly contagious and 100 percent fatal, Dragonscale soon plunges the world into chaos. (An oddly affective moment is when Harper logs onto Google and finds, instead of the search engine, the words “Goodby.”) But Hill smartly focuses on Harper and her attempts at survival, keeping the stakes small but extremely personal as the uninfected hunt down and murder the infected, supposedly to protect the rest of the town but really to indulge in sociopathic tendencies now unleashed. The Fireman starts with a hot burn, simmers as Harper joins a group of infected hiding in a summer camp, and then heats up again as the near-utopian community ruptures. Hill weaves questions about the power of leadership, group-think, love, catastrophe, and family into the plot. His smartest move is to give no clear-cut answers to these questions, making The Fireman more substantial and real than a typical apocalyptic thriller. And his humdinger of an ending provides just the right closure. --Adrian Liang
“[A] superb supernatural thriller . . . a tremendous, heartrending epic of bravery and love set in a fully realized and terrifying apocalyptic world, where hope lies in the simplest of gestures and the fullest of hearts.” (Publishers Weekly (starred review) on THE FIRMAN)
“Hill has a talent for depicting fascinating characters caught in terrible situations. . . . With a full cast of characters and multiple story lines to keep the reader hooked, Hill’s enthralling fourth thriller hits another home run.” (Library Journal (starred review) on THE FIREMAN)
“Joe Hill has always been good, but he’s created something incandescent here, soaring and original. He’s a master storyteller who writes with fire in his veins.” (Lauren Beukes, author of BROKEN MONSTERS on THE FIREMAN)
“Fascinating and utterly engaging, this novel is sure to leave readers wanting more. One thing is for certain, however. After reading this book, readers will never hear Christmas carols in quite the same way again.” (Library Journal (starred review) on NOS4A2)
“[An] undeniably readable work.” (Booklist (starred review) on NOS4A2)
“Read it with the lights on and your children locked in a closet.” (BookRiot.com on NOS4A2)
[Hill]’s got horror down pat, and his debut is hair-raising fun.” (Kirkus on HEART-SHAPED BOX)
“[A] wrenching and effective ghost story . . . reads like good, early King mixed with some of the edgier splatterpunk sensibilities of David J. Schow . . . [HEART-SHAPED BOX] has genuinely touching emotional moments as well as action-packed confrontations with the dead.” (Library Journal (starred review) on HEART-SHAPED BOX)
“A genuinely scary novel filled with people you care about; the kind of book that still stays in your mind after you’ve turned over the final page. I loved it unreservedly.” (Neil Gaiman, author of THE OCEAN AT THE END OF THE LANE on HEART-SHAPED BOX)
“[HORNS is] a creepy murder mystery, a tragic love triangle, and a sweetly wistful coming-of-age story. It’s the kind of book that has you laughing on one page, crying on another and making sure the doors and windows are safely locked on a third.” (Miami Herald on HORNS)
“[Horns is] devilishly good. . . . Hill is a terrific writer with a great imagination. He has a special talent for taking us and his characters to very weird places.” (USA Today on HORNS)
SUMMARY: From the authors of the instant New York Times bestseller The Strain comes the next volume in one of the most imaginative and frightening thriller series in many, many years Last week they invaded Manhattan. This week they will destroy the world. The vampiric virus unleashed in The Strain has taken over New York City. It is spreading and soon will envelop the globe. Amid the chaos, Eph Goodweather—head of the Centers for Disease Control's team—leads a band out to stop these bloodthirsty monsters. But it may be too late. Ignited by the Master's horrific plan, a war erupts between Old and New World vampires, each vying for control. At the center of the conflict lies a book, an ancient text that contains the vampires' entire history . . . and their darkest secrets. Whoever finds the book can control the outcome of the war and, ultimately, the fate of us all. And it is between these warring forces that humans—powerless and vulnerable—find themselves no longer the consumers but the consumed. Though Eph understands the vampiric plague better than anyone, even he cannot protect those he loves. His ex-wife, Kelly, has been transformed into a bloodcrazed creature of the night, and now she stalks the city looking for her chance to reclaim her Dear One: Zack, Eph's young son. With the future of humankind in the balance, Eph and his team, guided by the brilliant former professor and Holocaust survivor Abraham Setrakian and exterminator Vasiliy Fet and joined by a crew of ragtag gangsters, must combat a terror whose ultimate plan is more terrible than anyone has imagined—a fate worse than annihilation.
Product Description
The vampiric virus unleashed in
Ignited by the Master’s horrific plan, a war erupts between Old and New World vampires, each vying for total control. Caught between these warring forces, humans—powerless and vulnerable—are no longer the consumers, but the consumed.
Though Eph understands the vampiric plague better than anyone, even he cannot protect those he loves from the invading evil. His ex-wife, Kelly, has been turned by the Master, and now she stalks the city, in the darkness, looking for her chance to reclaim Zack, Eph’s young son.
With the future of the world in the balance, Eph and his courageous team, guided by the brilliant former professor and Holocaust survivor Abraham Setrakian and exterminator Vasiliy Fet, must combat a terror whose ultimate plan is more terrible than anyone first imagined—a fate worse than annihilation.
A Q&A with Academy Award®-winner Guillermo Del Toro
Q: You’ve written screenplays and directed numerous movies, to name a few of your many accomplishments. What motivated you to write a novel?
Del Toro: Well, it’s a different challenge, but I've always written short stories and then, in my film work, storylines for movies (the storyline is a slightly "freer" form than screenplay writing) I have published some of my short stories in the past and it is my secret dream to write shivery tales for young readers. My favorite author in that sense is
Q: You are one of the most extraordinarily imaginative and creative thinkers working in the arts today. What were some of the influences that have contributed to your success? Do you have any kind of a muse?
Del Toro: Curiously enough I regularly draw more inspiration from painters and books than I do from other films. Painters like Carlos Schwabe, Odilon Redon, Fliecien Rops, Bocklin, Freud, Bacon, Thomas Cole and many others, never fail to excite me and in the book front there are just as many authors...
Q: Many of your movies have centered on fantastical characters. Why did you choose to write your first novel about vampires?
Del Toro: All of my life I’ve been fascinated by them but always from a Naturalist's point of view.
Q: There are many stories, movies, and even a television show involving vampires. The Strain Trilogy uses the idea that vampires are a plague, and that the lead hunter is a scientist from the Centers for Disease Control. What was your inspiration for this twist?
Del Toro: When I was a kid I loved
Q: How did you and Chuck Hogan come together to write The Strain Trilogy? How does your collaboration work?
Del Toro: It was a true collaboration. I had created a "bible" for the book. It contained most of the structural ideas and characters and Chuck then took his pass on it and invented new characters and ideas. Fet (one of my favorite characters) was completely invented by him. And then I did my pass, writing new chapters or heavily editing his pass, and then he did a pass on my pass and so on and so forth. This is the way I have co-written in the past. I loved Chuck's style and ideas from reading his books and I specifically wanted him as a partner because he had a strong sense of reality and had NEVER written a horror book. I knew we would complete each other in the creation of this book. What surprised me is that he came up with some gruesome moments all on his own! He revealed himself to be a rather disturbed man!
A Q&A with Hammett Award-winner Chuck Hogan
Q: What most surprised you about working with Guillermo Del Toro? Has working with him impacted your own work? In your former career as a video store clerk, did you ever in your wildest dreams imagine working on a project like this—with a legend like Del Toro?
Hogan: I'd never co-authored anything, nor had I published a true work of horror before, and here I was embarking on an epic trilogy with a master of the genre. I probably should have been more intimidated--yet I felt an immediate kinship with the material, as well as true excitement at the challenge of bringing the story to life, both of which carried me through. Guillermo is a daunting first audience, and yet an incredibly generous collaborator. Not to mention an amazing resource: it's just fun to have to ask him a question—say, about why the vampires run hot instead of cold—know that, not only will he take me through their intricate biology, but he will embroider the account with corroborating examples from the field of entomology, marine life, and some arcane fact about the function of human blood platelets.
Q:_ _
Hogan: Crime and horror are both genres of existentialism, and I am drawn to stories of man at his extremes, of people who find themselves tested, haunted, threatened. I believe a writer should challenge himself in his work just as he challenges the characters in his story—that anything less would be inauthentic and dishonest. What I love about The Strain is that the journey of the story takes this maxim and multiplies it by one thousand.
Set over the course of three intense weeks, Del Toro and Hogan's gripping second volume in their near-future vampire trilogy picks up where The Strain, the first volume, left off, as the undead, aided by elderly Eldritch Palmer, one of the world's three richest men, tighten their hold on the planet. Epidemiologists Ephraim Goodweather and Nora Martinez, Holocaust survivor Abraham Setrakian, and Vasiliy Fet, "New York City Bureau of Pest Control Services worker and independent exterminator," oppose the vampires (or strigoi), as they did in the first book. Setrakian pins his hopes for stopping the vampires on tracking down a 17th-century grimoire that describes the origins of their leaders, the Seven Original Ancients. Despite the story's essential grimness, the authors manage to inject some sardonic humor, even as the plot developments will leave readers wondering how the concluding book can possibly end well.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
PRAISE FOR GEORGE R. R. MARTIN’SA SONG OF ICE AND FIRE
“What’s A Song of Ice and Fire? It’s the only fantasy series I’d put on a level with J.R.R. Tolkien’s The Lord of the Rings. . . . It’s a fantasy series for hip, smart people, even those who don’t read fantasy.”—_Chicago Tribune_ A Game of Thrones
“Reminiscent of T. H. White’s The Once and Future King, this novel is an absorbing combination of the mythic, the sweepingly historical, and the intensely personal.”_—Chicago Sun-Times_
A Clash of Kings
“Martin amply fulfills the first volume’s promise and continues what seems destined to be one of the best fantasy series ever written.”—_The Denver Post_
A Storm of Swords
“Riveting . . . a series whose brilliance continues to dazzle.”—_Patriot News_
A Feast for Crows
“Of those who work in the grand epic-fantasy tradition, Martin is by far the best. In fact . . . this is as good a time as any to proclaim him the American Tolkien.”—_Time _
Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his spellbinding landmark series--as both familiar faces and surprising new forces vie for a foothold in a fragmented empire. In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance once again--beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has three times three thousand enemies, and many have set out to find her. Yet, as they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind.
To the north lies the mammoth Wall of ice and stone--a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge yet. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice.
And from all corners, bitter conflicts soon reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. . . .
Like clockwork, California computer hacker Merle Corey is nearly murdered every April 30th by a persistent unknown assailant. For, in reality, Merle is Merlin, son of the missing, possibly mad Prince Corwin of the royal house of Amber. But bestial claws have ripped too close to Merlin's heart this time -- forcing him to flee Shadow Earth with his remarkable Ghostwheel. And now Merlin's destiny resides in the one true world -- where answers can only beget more dangerous questions . . .
Seeking vengeance against his usurping brother, Eric, Corwin, the rightful heir to the throne, ventures into the dark world of Shadow in order to gather ammunition, and is distracted by a beautiful and mysterious woman. Reissue.
Awakening in an Earth hospital unable to remember who he is or where he came from, Corwin is amazed to learn that he is one of the sons of Oberon, King of Amber, and is the rightful successor to the crown in a parallel world. Reissue.
Twenty years ago, all the evil villains were banished from the kingdom of Auradon and made to live in virtual imprisonment on the Isle of the Lost. The island is surrounded by a magical force field that keeps the villains and their descendants safely locked up and away from the mainland. Life on the island is dark and dreary. It is a dirty, decrepit place that's been left to rot and forgotten by the world.
But hidden in the mysterious Forbidden Fortress is a dragon's eye: the key to true darkness and the villains' only hope of escape. Only the cleverest, evilest, nastiest little villain can find it...who will it be?
Maleficent, Mistress of the Dark: As the self-proclaimed ruler of the isle, Maleficent has no tolerance for anything less than pure evil. She has little time for her subjects, who have still not mastered life without magic. Her only concern is getting off the Isle of the Lost.
Mal: At sixteen, Maleficent's daughter is the most talented student at Dragon Hall, best known for her evil schemes. And when she hears about the dragon's eye, Mal thinks this could be her chance to prove herself as the cruelest of them all.
Evie: Having been castle-schooled for years, Evil Queen's daughter, Evie, doesn't know the ins and outs of Dragon Hall. But she's a quick study, especially after she falls for one too many of Mal's little tricks.
Jay: As the son of Jafar, Jay is a boy of many talents: stealing and lying to name a few. Jay and Mal have been frenemies forever and he's not about to miss out on the hunt for the dragon's eye.
Carlos: Cruella de Vil's son may not be bravest, but he's certainly clever. Carlos's inventions may be the missing piece in locating the dragon's eye and ending the banishment for good.
Mal soon learns from her mother that the dragon's eye is cursed and whoever retrieves it will be knocked into a deep sleep for a thousand years. But Mal has a plan to capture it. She'll just need a little help from her "friends." In their quest for the dragon's eye, these kids begin to realize that just because you come from an evil family tree, being good ain't so bad.
In 1965 Frank Herbert published Dune. After it was heralded as a masterpiece of science fiction, he wrote the briefer Dune Messiah in 1969, concentrating eponymously on Paul Atreides, and then, sensing the sales potential, added sequels. They were continued by his son, culminating in the just published finale, Sandworms of Dune. Now, 38 years after its publication, four narrators capture Dune Messiah on discs, while listeners, with no glossary, try to recall the meaning of its esoteric nomenclature. The audio gets off to a lively start as the book opens with nearly all conversation, playing up the camaraderie between the narrators who have partnered on several other readings of classic sci-fi novels. While the cast works well together, some of the male narrators emphasize a stately dullness. Kellgren, the sole feminine voice, supplies real emotion and a true sense of awe. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
'Unique among SF novels ... I know nothing comparable to it except The Lord of the Rings.' -- Arthur C. Clarke on DUNE 'One of the landmarks of modern science fiction ... an amazing feat of creation.' -- Analog on DUNE
On the brink of achieving the crown of Chaos, Merlin, aka Merle Corey, is challenged with silencing a murderous discord between Amber and Chaos and freeing a captive royal father who is under a villain's spell. Reprint. *PW. *
A dog-shaped gunpowder mark; an omen from "the other side"; a haunted house; a chilling seance; a case of split personalities; a recurring nightmare; an eerie wireless mesage; an elderly lady's hold over a young man; a mysterious SOS - unexplained phenomena with no apparent earthly explanation.
Note: Season of Storms takes place before the second short story but after the first one in The Last Wish; so you should read the first short story, finish Season of Storms, continue with The Last Wish on the second short story and then continue as listed above.
Geralt of Rivia. A witcher whose mission is to protect ordinary people from the monsters created with magic. A mutant who has the task of killing unnatural beings. He uses a magical sign, potions and the pride of every witcher -- two swords, steel and silver. But what would happen if Geralt lost his weapons?
In this standalone novel, Geralt fights, travels and loves again, Dandelion sings and flies from trouble to trouble, sorcerers are scheming ... and across the whole world clouds are gathering - the season of storms is coming...
EDITORIAL REVIEW: **The long-awaited new novel from Margaret Atwood. *The Year of the Flood* is a dystopic masterpiece and a testament to her visionary power. **The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away . . .By turns dark, tender, violent, thoughtful, and uneasily hilarious, *The Year of the Flood* is Atwood at her most brilliant and inventive.
EDITORIAL REVIEW: For over fifty years, J.R.R. Tolkien’s peerless fantasy has accumulated worldwide acclaim as the greatest adventure tale ever written.No other writer has created a world as distinct as Middle-earth, complete with its own geography, history, languages, and legends. And no one has created characters as endearing as Tolkien’s large-hearted, hairy-footed hobbits. Tolkien’s The Lord of the Rings continues to seize the imaginations of readers of all ages, and this new three-volume paperback edition is designed to appeal to the youngest of them.In ancient times the Rings of Power were crafted by the Elvensmiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, still it remained lost to him . . .
SUMMARY: For over fifty years, J.R.R. Tolkien’s peerless fantasy has accumulated worldwide acclaim as the greatest adventure tale ever written.No other writer has created a world as distinct as Middle-earth, complete with its own geography, history, languages, and legends. And no one has created characters as endearing as Tolkien’s large-hearted, hairy-footed hobbits. Tolkien’s The Lord of the Rings continues to seize the imaginations of readers of all ages, and this new three-volume paperback edition is designed to appeal to the youngest of them.In ancient times the Rings of Power were crafted by the Elvensmiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, still it remained lost to him . . .
SUMMARY: Written for J.R.R. Tolkien's own children, The Hobbit met with instant critical acclaim when first published more than sixty years ago. Now recognized as a timeless classic with sales of more than 40 million copies worldwide, this introduction to Bilbo Baggins, Gandalf the Wizard, and the spectacular world of Middle-earth tells of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent.
SUMMARY: The Children of Húrin is the first complete book by J.R.R.Tolkien since the 1977 publication of The Silmarillion. Six thousand years before the One Ring is destroyed, Middle-earth lies under the shadow of the Dark Lord Morgoth. The greatest warriors among elves and men have perished, and all is in darkness and despair. But a deadly new leader rises, Túrin, son of Húrin, and with his grim band of outlaws begins to turn the tide in the war for Middle-earth -- awaiting the day he confronts his destiny and the deadly curse laid upon him.The paperback edition of The Children of Húrin includes eight color paintings by Alan Lee and a black-and-white map.
SUMMARY: The tales of The Silmarillion were the underlying inspiration and source of J.R.R. Tolkien's imaginative writing; he worked on the book throughout his life but never brought it to a final form. Long preceding in its origins The Lord of the Rings, it is the story of the First Age of Tolkien's world, the ancient drama to which characters in The Lord of the RIngs look back and in which some of them, such as Elrond and Galadriel, took part. The title Silmarillion is shortened from Quenta Silmarillion, "The History of the Silmarils," the three great jewels created by Feanor, most gifted of the Elves, in which he imprisoned the light of the Two Trees that illumined Valinor, the land of the gods. When Morgoth, the first Dark Lord, destroyed the Trees, that light lived on only in the Silmarils; Morgoth seized them and set them in his crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Feanor and his people against the gods, their exile in Middle-earth, and their war, hopeless despite all the heroisim of Elves and Men, against the great Enemy. The book includes several other, shorter works beside The Silmarillion proper. Preceding it are "Ainulindale," the myth of Creation, and "Valaquenta," in which the nature and powers of each of the gods is set forth. After The Silmarillion is "Akallabeth," the story of the downfall of the great island kingdom of Numenor at the end of the Second Age; completing the volume is "Of the Rings of Power and the Third Age," in which the events of The Lord of the Rings are treated in the manner of The Silmarillion. This new edition of The Silmarillion contains the revised and corrected "second edition" text and, by way of introduction, a letter written by J.R.R. Tolkien in 1951, which provides a brilliant exposition of his conception of the earlier Ages. It also contains almost fifty full-color illustrations by the artist Ted Nasmith, many of which appear for the first time.
In Karen Marie Moning’s latest installment of the epic #1 New York Times bestselling Fever series, Mac, Barrons, Ryodan, and Jada are back—and the stakes have never been higher or the chemistry hotter. Hurtling us into a realm of labyrinthine intrigue and consummate seduction, Feverborn is a riveting tale of ancient evil, lust, betrayal, forgiveness, and the redemptive power of love. When the immortal Fae destroyed the ancient wall dividing the worlds of Man and Faery, the very fabric of the universe was damaged, and now Earth is vanishing bit by bit. Only the long-lost Song of Making—a haunting, dangerous melody that is the source of life itself—can save the planet.But those who seek the mythic song must contend with old wounds and new enemies, passions that burn hot and hunger for vengeance that runs deep. The challenges are many: the Keltar at war with nine immortals who’ve secretly ruled Dublin for eons, Mac and Jada hunted by the masses, the Seelie queen nowhere to be found, and the most powerful Unseelie prince in all creation determined to rule both Fae and Man. Now the task of solving the ancient riddle of the Song of Making falls to a band of deadly warriors divided among—and within—themselves.Once a normal city possessing a touch of ancient magic, Dublin is now a treacherously magical city with only a touch of normal. And on those war-torn streets, Mac will come face-to-face with her most savage enemy yet: herself.
EDITORIAL REVIEW: Here is the third volume in George R. R. Martin’s magnificent cycle of novels that includes **A Game of Thrones** and **A Clash of Kings**. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.**A Storm of Swords**Of the five contenders for power, one is dead, another in disfavor, and still the wars rage as violently as ever, as alliances are made and broken. Joffrey, of House Lannister, sits on the Iron Throne, the uneasy ruler of the land of the Seven Kingdoms. His most bitter rival, Lord Stannis, stands defeated and disgraced, the victim of the jealous sorceress who holds him in her evil thrall. But young Robb, of House Stark, still rules the North from the fortress of Riverrun. Robb plots against his despised Lannister enemies, even as they hold his sister hostage at King’s Landing, the seat of the Iron Throne. Meanwhile, making her way across a blood-drenched continent is the exiled queen, Daenerys, mistress of the only three dragons still left in the world....But as opposing forces maneuver for the final titanic showdown, an army of barbaric wildlings arrives from the outermost line of civilization. In their vanguard is a horde of mythical Others--a supernatural army of the living dead whose animated corpses are unstoppable. As the future of the land hangs in the balance, no one will rest until the Seven Kingdoms have exploded in a veritable storm of swords. . .
SUMMARY: Here is the first volume in George R. R. Martin' s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin' s stunning series is destined to stand as one of the great achievements of imaginative fiction. A Game of Thrones Long ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom' s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens. Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win thatdeadliest of conflicts: the game of thrones. "From the Trade Paperback edition."
EDITORIAL REVIEW: Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy. Now, in **A Feast for Crows**, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace...only to be launched on an even more terrifying course of destruction.**A Feast for Crows**It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears....With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out. But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead. It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes...and their lives. For at a feast for crows, many are the guests—but only a few are the survivors.*From the Hardcover edition.*
EDITORIAL REVIEW: Here is the second volume in GEORGE R. R. MARTIN’S magnificent cycle of novels that includes **A Game of Thrones** and **A Storm of Swords**. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, GEORGE R. R. MARTIN’S stunning series is destined to stand as one of the great achievements of imaginative fiction.**A CLASH OF KINGS**A comet the color of blood and flame cuts across the sky. Two great leaders—Lord Eddard Stark and Robert Baratheon—who hold sway over an age of enforced peace are dead, victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns. Six factions struggle for control of a divided land and the Iron Throne of the Seven Kingdoms, preparing to stake their claims through tempest, turmoil, and war. It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel...and the coldest hearts. For when kings clash, the whole land trembles.
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After decades of warfare, the five tribes of the Tiste Edur have finally united under the implacable rule of the Warlock King of the Hiroth. But peace has been exacted at a terrible price — a pact made with a hidden power whose motives are at best suspect, at worst deadly. To the south, the expansionist kingdom of Lether has devoured all of its less-civilised neighbours with rapacious, cold-blooded hunger. All, that is, save one — the Tiste Edur. For Lether is approaching a long-prophesied renaissance — from kingdom and lost colony of the First Empire to Empire reborn. And so its people have fixed their avid gazes northward, to the rich and abundant lands and coasts of the Tiste Edur. And beneath the suffocating weight of gold, or by slaughter at the edge of a sword, it seems the Tiste Edur must fall. Or so Destiny has decreed. War and betrayal, magic and myth collide in this, the stunning fifth chapter in Steven Erikson’s magnificent Malazan Book of the Fallen sequence — a monumental achievement that is being hailed by readers and critics alike as an epic of the imagination and a fantasy classic in the making.-- From the Hardcover edition.
This is a sequel to Assassin's Creed: Renaissance. Ezio, the master assassin, seeks to avenge the death of his uncle. Unbeknownst to him this will pit him against the Knights Templar.
Oliver Bowden is a pseudonym for an acclaimed novelist who is also a Renaissance historian.
Dick's Hugo Award-winning 1962 alternative history considers the question of what would have happened if the Allied Powers had lost WWII. Some 20 years after that loss, the United States and much of the world has now been split between Japan and Germany, the major hegemonic states. But the tension between these two powers is mounting, and this stress is playing out in the western U.S. Through a collection of characters in various states of posing (spies, sellers of falsified goods, others with secret identities), Dick provides an intriguing tale about life and history as it relates to authentic and manufactured reality. Tom Weiner reveals an impressive vocal range that delivers the host of characters with distinct culture, class and gender personas, which helps to sort the various plot strands. His prose reading is engaging, though sometimes lacks sufficient emphasis and energy.
From the Inside Flap
It's America in 1962. Slavery is legal once again. the few Jews who still survive hide under assumed names. In San Francisco the I Ching is as common as the Yellow Pages. All because some 20 years earlier the United States lost a war--and is now occupied jointly by Nazi Germany and Japan.
This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to awake.
“The battle scenes have the breathless urgency of firsthand experience, and the . . . evil laced into the forces of good, the dangers latent in any promised salvation, the sense of the unavoidable onslaught of unpredictable events bear the marks of American national experience during the last three decades, just as the experience of the First World War and its aftermath gave its imprint to J. R. R. Tolkien’s work.”--_The New York Times_ on The Wheel of Time®
The Last Battle has started. The seals on the Dark One’s prison are crumbling. The Pattern itself is unraveling, and the armies of the Shadow have begun to boil out of the Blight.
The sun has begun to set upon the Third Age.
Perrin Aybara is now hunted by specters from his past: Whitecloaks, a slayer of wolves, and the responsibilities of leadership. All the while, an unseen foe is slowly pulling a noose tight around his neck. To prevail, he must seek answers in Tel’aran’rhiod and find a way--at long last--to master the wolf within him or lose himself to it forever.
Meanwhile, Matrim Cauthon prepares for the most difficult challenge of his life. The creatures beyond the stone gateways--the Aelfinn and the Eelfinn--have confused him, taunted him, and left him hanged, his memory stuffed with bits and pieces of other men’s lives. He had hoped that his last confrontation with them would be the end of it, but the Wheel weaves as the Wheel wills. The time is coming when he will again have to dance with the Snakes and the Foxes, playing a game that cannot be won. The Tower of Ghenjei awaits, and its secrets will reveal the fate of a friend long lost.
This penultimate novel of Robert Jordan’s #1 New York Times bestselling series--the second of three based on materials he left behind when he died in 2007--brings dramatic and compelling developments to many threads in the Pattern. The end draws near.
Dovie’andi se tovya sagain. It’s time to toss the dice.
“The battle scenes have the breathless urgency of firsthand experience, and the . . . evil laced into the forces of good, the dangers latent in any promised salvation, the sense of the unavoidable onslaught of unpredictable events bear the marks of American national experience during the last three decades.”—_The New York Times_ on The Wheel of Time
“The Wheel of Time . . . is a fantasy tale seldom equaled and still less often surpassed in English.”—_Chicago Sun-Times_
“Jordan has a powerful vision of good and evil—but what strikes me as most pleasurable . . . is all the fascinating people moving through a rich and interesting world.”—Orson Scott Card on The Wheel of Time
Tarmon Gai’don, the Last Battle, looms. And mankind is not ready.
The final volume of the Wheel of Time, A Memory of Light, was partially written by Robert Jordan before his untimely passing in 2007. Brandon Sanderson, New York Times bestselling author of the Mistborn books, was chosen by Jordan’s editor--his wife, Harriet McDougal--to complete the final book. The scope and size of the volume was such that it could not be contained in a single book, and so Tor proudly presents The Gathering Storm as the first of three novels that will cover the outline left by Robert Jordan, chronicling Tarmon Gai'don and Rand al'Thor's final confrontatino with the Dark One. This short sequence will complete the struggle against the Shadow, bringing to a close a journey begun almost twenty years ago and marking the conclusion of the Wheel of Time, the preeminent fantasy epic of our era.
In this epic novel, Robert Jordan’s international bestselling series begins its dramatic conclusion. Rand al’Thor, the Dragon Reborn, struggles to unite a fractured network of kingdoms and alliances in preparation for the Last Battle. As he attempts to halt the Seanchan encroachment northward--wishing he could form at least a temporary truce with the invaders--his allies watch in terror the shadow that seems to be growing within the heart of the Dragon Reborn himself.
Egwene al’Vere, the Amyrlin Seat of the rebel Aes Sedai, is a captive of the White Tower and subject to the whims of their tyrannical leader. As days tick toward the Seanchan attack she knows is imminent, Egwene works to hold together the disparate factions of Aes Sedai while providing leadership in the face of increasing uncertainty and despair. Her fight will prove the mettle of the Aes Sedai, and her conflict will decide the future of the White Tower--and possibly the world itself.
The Wheel of Time turns, and Ages come and pass. What was, what will be, and what is, may yet fall under the Shadow.
About the AuthorRobert Jordan lives in Charleston, South Carolina. He is a graduate of the Citadel.
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Amazon.com's Significant SevenRobert Jordan kindly agreed to take the life quiz we like to give to all our authors: the Amazon.com Significant Seven.
Q: What book has had the most significant impact on your life?A:
Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?A: The one book would be whatever book I was currently writing. I mean, I hate falling behind in the work. The one CD would contain the best
Q: What is the worst lie you've ever told?A: It's hard to think of one since I am genetically incapable of lying to women and that takes out 52% of the population right there.
Q: Describe the perfect writing environment.A: Any place that has my computer, a CD player for music, a comfortable chair that won't leave me with a backache at the end of a long day, and very little interruption.
Q: If you could write your own epitaph, what would it say?A: He kept trying to get better at it.
Q: Who is the one person living or dead that you would like to have dinner with?A: My wife before anybody else on earth living or dead. That's a no-brainer.
Q: If you could have one superpower what would it be?A: That depends. If I'm feeling altruistic, it would be the ability to heal anything with a touch, if that can be called a superpower. If I'm not feeling very altruistic, it would be the ability to read other people's minds, to finally be able to get to the bottom of what they really mean and what their motivations are.
See all books in the
Starred Review. The previous book in Jordan's massive Wheel of Time, Crossroads of Twilight, may have come out in 2003, but don't let that fool you; the 11th tome in this epic fantasy is the one Jordan fans have been eagerly waiting for the better part of a decade. The breakneck pace, lyrical beauty and astonishing scope of the early Wheel of Time volumes established Jordan as one of the top writers in the Tolkien tradition. While more recent entries have maintained that beauty and scope, the pace has slowed to a crawl as the central characters dispersed in six directions. In contrast, the latest explodes with motion, as multiple plot lines either conclude or advance, and the march to Tarmon Gai'don—the climactic last battle between the Dragon Reborn and the Dark One—begins in earnest. Faile's captivity with the Shaido, Mat's pursuit of Tuon and Elayne's war for Caemlyn come to a close, while Egwene's capture brings the Aes Sedai war to the heart of the Tower. Jordan has said that readers will be sweating by the end of the book, and he's probably right. Sweating or not, they'll also be dreading the long year or two before the 12th installment. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The eagerly awaited 10th installment (after 2000's Winter's Heart) in Jordan's monumental Wheel of Time has all the breadth and depth that have made this fantasy author one of the acknowledged greats of the genre. Like Tolkien's Ring trilogy, Wheel of Time is a single, extended novel rather than a series, and in Crossroads, new characters join the cast and old favorites grow ever more complex. Yet if the scope of Jordan's richly nuanced creation has won him millions of readers, it also forms the saga's biggest obstacle. Here Mat Cauthon is still fleeing the Seanchan; Perrin Goldeneyes still hunts the Shaido to free his beautiful wife, Faile; the cities Caemlyn and Tar Valon are still besieged and the battles have not been joined. Those impatient with the glacial movement of the last four books will find more of the same. As the title suggests, this entry represents a turning point, a time of momentous decisions as the rebel Aes Sedai consider an alliance with the Asha'man and Rand ponders a truce with the Seanchan. Lending perhaps the most recognizable humanity is Mat's love interest, Tuon, the spoiled, adorable Daughter of the Nine Moons, whose kidnapping is concealed by Valan Luca's Grand Traveling Show and Magnificent Display of Marvels and Wonders. She twists Mat around her finger, deliberately annoying him by calling him "Toy." The epilogue suggests Tuon will play a major role in volume 11. Jordan fans who miss the breakneck pace of the earlier books can always hope the action will pick up again.Copyright 2002 Reed Business Information, Inc.
The Wheel of Time continues to turn slowly and purposely in the tenth novel in Jordan's popular, epic series. Jordan follows his well-established pattern of tracking the activities of his widely spread characters as he moves them inexorably toward the looming Final Battle between the Dark One and those who oppose it. In this story, Mat flees with the kidnapped Daughter of the Nine Moons, whom he is fated to marry, pursued by the army of the Seanchan Empire as well as by the Dark One. Perrin is trying to rescue his wife, Faile, from the Shaido. Egwene, now Amyrlin of the rebel Aes Sedai, and her forces lay siege to the White Tower, where Elaida wears the Amyrlin shawl. The Aes Sadai must be reunited to defend against the Dark One. And Rand al' Thor, the Dragon Reborn, faces his own demons, even though he has managed to cleanse the Dark One's taint from the males who can channel. As usual, Jordan's canvas is vast and his plotting intricate. Each of the many characters is as distinctively recognizable as any of those in the series' other volumes, while on all fronts, intrigues and dangers intensify. Must-reading for Jordan's huge and faithful following. Sally EstesCopyright © American Library Association. All rights reserved
Is Robert Jordan still doing the Light's work? Even loyal fans have to wonder. (And if you're not a fan yet, you'll have to read
Everyone's in agreement on the Wheel of Time's first four or five volumes: They're topnotch, where-have-you-been-all-my-life epic fantasy, the best in anybody's memory at the time since __. But a funny thing happened on the way to Tarmon Gai'don, and many of those raves have become rants or (worse) yawns. Jordan long ago proved himself a master at world-building, with fascinating characters, a positively delicious backstory, and enough plot and politics to choke a Trolloc, but that same strength has become a liability. How do you criticize what he's doing now? You want more momentum and direction in the central plot line, but it's the secondary stories that have made the world so rich. And as in the last couple of books, ( and ), Jordan doesn't really succeed at pursuing either adequately, leaving a lot of heavily invested readers frustrated.
Winter's Heart at least shows some improvement, but it's still not __. Elayne's still waiting to take the crown of Andor; the noticeably absent Egwene is still waiting to go after the White Tower; Perrin gets ready to pursue the Shaido but then disappears for the rest of the book. About the only excitement comes with the long-awaited return of Mat Cauthon and a thankfully rock 'em, sock 'em finale in which Rand finally, finally changes the balance of power in his fight against the Dark One. --Paul Hughes
The ninth installment in Jordan's sprawling Wheel of Time saga is as bountifully pregnant with plot threads as its predecessorsDand as bewilderingly esoteric for readers who have yet to commit its previous episodes to memory. Rand al'Thor, the Dragon Reborn, seems no nearer to fulfilling his destinyDto unite the embattled races of his domain against the Dark OneDthan he was in The Path of Daggers. The warmongering Seanchan are pouring into Ebou Dar, setting refugees in flight and complex schemes in fidgety motion. Perrin Aybara is distracted from his mission to shepherd the prophet Masema to Rand when he pursues the rebel Aiel who have kidnaped his wife, Faile. The mystical sisterhood of the Aes Sedai remain divided between Elaida, pretender to the title of the White Tower, and Egwene al'Vere, ally to Elayne, Queen of Andor. Elayne, Rand's lover, barely escapes poisoning, and Rand himself, still smarting from the unhealed wound of an assassination attempt, shapeshifts through a variety of disguises to pass unnoticed in hostile territories. Jordan can always be counted to ground his dizzying intrigues in solid chunks of cultural detail, and he here rises to the occasion, with chapters as dense as Spenserian stanzas with symbols and rituals. Not all of his subplots tie together, and fewer than usual of his vast cast of characters make a memorable impact. Nevertheless, he manipulates the disorder of his narrative to credibly convey a sense of an embattled world on the verge of self-destruction, and he entertainingly juxtaposes the courtly civility of his villains with the precarious chaos they cause. Devotees accustomed to this ongoing epic's increasing lack of focus will no doubt find it on target. (Nov.) Copyright 2000 Reed Business Information, Inc.
Robert Jordan has created a rich and intricate tapestry of characters in his
The seventh volume of Jordan's bestselling high fantasy series carries on the tradition of colossal, dauntingly complex storytelling established by the previous entries (Lord of Chaos, 1994, etc.). In a richly woven post-holocaust world where magic is normally a woman's monopoly and a man who can use it is a menace, Rand al'Thor, a sheepherder, discovered that he could "channel"; he and his companions have gone on to set their world aflame. Here, Rand is engaged in a fight for control of the weather and of the growing number of men and women who have turned out to be magic-wielders. The narrative employs elements of realism rare in high fantasy, including the sense that innocent bystanders are being mauled in an epic joust of magical giants. There's wit at work here, too, in Jordan's exploration of the possibilities created by women being the magic workers. All this comes at the price of enough characters, institutions, spells, countries and so on to intimidate any reader who hasn't followed Rand's adventures from the beginning?and the author is still adding complications. A glossary helps, though, and fans of the series will gobble down this generous addition. Major ad/promo; deluxe leather-bound limited edition. Copyright 1996 Reed Business Information, Inc.
While Jordan's prose is sometimes bloated, he rises above his Tolkien-influenced contemporaries (Brooks, Eddings, et al.) with his skill at narrative pacing and his ability to create fully realized characters (though his treatment of sexuality will appeal primarily to adolescents). In this sixth volume in the immensely popular The Wheel of Time series (The Fires of Heaven), Rand al'Thor consolidates his power base and attempts to come to a rapprochement with the Aes Sedai, the female mystics who channel the One Power and whose schism lends tension to his meetings with them. The schism has unexpected consequences for three young women: determined Egwene al' Vere, precocious Elayne Trakand and braid-tugging Nynaeve al'Meara. Centering upon that trio's exploits and discoveries, and on Rand's further adventures, this volume offers several major turns of events while laying the groundwork for future intrigues. It may be be several more volumes before Rand al'Thor confronts the Dark One in Tarmon Gai'don ("the last battle"), yet, as Jordan demonstrates here, he's likely to keep his fans interested throughout the long and winding journey. 250,000 first printing; major ad/promo; author tour. Copyright 1994 Reed Business Information, Inc.
While the armies of Rand al'Thor, a farm boy cast by destiny into the world-changing role of the Dragon Reborn, continue their progress toward the Last Battle against the forces of the Dark One, other powers seek to exert control over the reluctant hero. Panoramic in concept, yet always focusing on the individuals whose actions make up the unfolding drama, the complex interweaving of plots and counterplots continues to gain momentum. Jordan's talent for sustaining the difficult combination of suspense and resolution, so necessary in a multivolume series such as this one (which includes The Fires of Heaven, LJ 11/15/93), is nothing short of remarkable. Libraries should anticipate considerable demand for this title.Copyright 1994 Reed Business Information, Inc.
Rand al'Thor, the Dragon Reborn, continues his effort to unify the diverse people of a discordant world against the Dark One in this fifth tome of the Wheel of Time series (begun with The Eye of the World ). While the Aes Sedai, women who channel the One Power, and the Forsaken, ancient disciples of the Dark One, strive to bend him to their purposes, Rand leads the clans of the Aiel in a war of unification. Rand must try to master his powers as a man who can channel, while eluding the concomitant madness, as two groups of women attempt to come to his aid. His love, Elayne, Daughter-Heir of Andor, and Nynaeve, both Aes Sedai in training, join a circus to evade an angry sisterhood, and Siuan Sanche, former leader of the Aes Sedai now stripped of her powers, and two companions seek other rebels in an attempt to avert the final doom. Jordan deftly weaves details from previous books into this narrative and includes a glossary so that new readers can pick up the saga at this point. But all should beware: the few months covered here suggest it may be years and many more volumes before this series reaches its conclusion. Copyright 1993 Reed Business Information, Inc.
Rand al'Thor, the Dragon Reborn, leads his army of desert warriors toward a destined war against the forces of the Dark One. Elsewhere, while the Forsaken seed the land with their plots of corruption, a few stalwart individuals gather their strength for the coming battle. Jordan's epic saga of a world threatened by evil incarnate builds steadily as separate strands of a complex plot begin to come together. Fans of this richly detailed and vividly imagined series will not be disappointed.Copyright 1993 Reed Business Information, Inc.
Having declared himself the Dragon Reborn, Rand al'Thor must proceed to fulfill the prophecy that he will protect the world from the return of the Dark One. Jordan's hefty addition to his massive series begins very much in medias res as an unknown danger threatens the city of Tar Valon, home of the powerful, nunlike Aes Sedai. In a whirlwind of uncertainty stirred up by the conflicting motivations of such groups as the Whitecloaks, the Darkfriends and Trollocs (among an abundance of others), Rand travels to the city of Rhuidean in the Aiel Waste for answers. Jordan ( The Dragon Reborn ) seems to be intent on turning the series into an endless soap opera; in each successive volume he introduces more new elements than he resolves. What was originally a mood-setting technique--the tendency of most characters not to share their special knowledge with either their companions or the reader--has by now become boring. Hundreds of characters and dozens of conflicting plots cause much of the action to take place offstage. As a result, this fully imagined saga threatens to burst the seams of its steadily more intricate design. Nevertheless, the sheer force of his invention develops a momentum that established Jordan fans, and probably like-minded new readers, will find hard to resist. Copyright 1992 Reed Business Information, Inc.
As the power of the Dark One grows stronger, Rand al'Thor and his friends face greater challenges in their war against the Shadow. From the halls of Tar Valon, where the Aes Sedai mystics discover agents of darkness in their own ranks, to the Aiel Waste, where a hidden city holds secrets forbidden to all but a few, Rand and his companions seek to fulfill the destiny laid out for them. Jordan's multivolume epic continues to live up to its high ambitions. Complex plotting, an array of strong characters, lavish detail, and a panoramic scope make this series a feast for fantasy aficionados. Expect demand for this.Copyright 1992 Reed Business Information, Inc.
Jordan continues his Wheel of Time saga (after The Eye of the World and The Great Hunt ). Three thousand years ago the Dragon led the male mages of the world into entrapping the Dark One, but the cost was high: all male mages, then and thereafter, were driven mad. Now the Dark One is breaking free, and the only salvation may come through Rand al'Thor who may be a reincarnation of the Dragon and who must obtain the sword Callandor, held in the city of Tear. All of Rand's companions from the previous books find themselves, willing or not, moving toward Tear for a confrontation with evil traps. Jordan's fast and absorbing adventure novel will keep the reader too entranced to worry about plot inconsistencies, numerous coincidences, lack of character development and Rand's inexplicably infrequent appearances. As light fantasy, however, it proves an enjoyable diversion. Copyright 1991 Reed Business Information, Inc.
As the seals of the Dark One's prison continue to weaken, Rand al'Thor struggles to master the madness-tainted power that marks him as the Dragon Reborn. At the same time, his friends and companions become caught up in the roles laid out for them by the Web of Destiny. Though it borrows from a multitude of legendary and literary fantasy sources, Jordan's multivolume series continues to exhibit a freshness that makes it a welcome addition to any library's fantasy collection.Copyright 1991 Reed Business Information, Inc.
Chosen by fate to become the Dragon Reborn--savior and destroyer of his world--young Rand al'Thor attempts to outrun his destiny by joining in a mad search for the lost Horn of Valere. Continuing the story begun in The Eye of the World ( LJ 2/15/90), Jordan creates a lush, sprawling tapestry of a novel in the tradition of Tolkien and Eddings. Recommended where fantasy is popular.Copyright 1990 Reed Business Information, Inc.
Praise for Book One of The Wheel of Time:
"_The Eye of the World_ is the best of its genre."--_The Ottawa Citizen_
"A powerful novel of wide and complex scope."--_Locus_
"This looks very like the next major fantasy epic. It has magic and pacing and detail and human involvement, with a certain subtlety of presentation and a grand central vision. Robert Jordan...is a lot of writer!"--Andre Norton-- Review
SUMMARY:The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow. "Jordan is able to take ... familiar elements and make them his own, in a powerful novel of wide and complex scope. Open religious and political conflicts add a gritty realism, while the cities and courts provide plenty of drama and splendor. Women have a stronger role than in Tolkien.... Each character in this large cast remains distinct.... Their adventures are varied, and exciting.... "The Eye of the World" stands alone as a fantasy epic."--"Locus" "Robert Jordan has created a fantasy world as tangible and credible as history. He has a fine eye for detail and a vivid sense of drama."--Morgan Llewelyn "Robert Jordan's "The Eye of the World" proves that there's still plenty of life in the ancient tradition of epic fantasy. Jordan has a powerful vision of good and evil-- but what strikes me as most pleasurable about "The Eye of the World" is all the fascinating people moving through a rich and interesting world."--Orson Scott Card "Jordan's world is rich in detail and his plot is rich in incident. Impressive work, and highly recommended."--"ALA Booklist"
SUMMARY:"Robert Jordan has come to dominate the world Tolkien began to reveal."--The New York Times The Wheel of Time turns, and Ages come and pass. What was, what will be, and what is, may yet fall under the Shadow. Let the Dragon ride again on the winds of time. THE WHEEL OF TIME Book One: The Eye of the World Book Two: The Great Hunt Book Three: The Dragon Reborn Book Four: The Shadow Rising Book Five: The Fires of Heaven Book Six: Lord of Chaos Book Seven: A Crown of Swords Book Eight: The Path of Daggers Book Nine: Winter's Heart Book Ten: Crossroads of Twilight
Where thereas smoke, thereas one hot "New York Times" bestselling author. Though May Northcottas heart belongs to Gabriel, leader of the silver dragons, being stuck in Abaddon has significantly cooled down her love life. Especially since a demon lord is trying to woo her. Looks like May will have to barter to gain her freedom and fulfill her destiny by Gabrielas side...
Tired of the political machinations of his egotistical fellow wizards, Benelaius retires from the College of War Wizards to take up residency in Cormyr, where he lives peacefully until he and his legman, Jasper, are forced to investigate the murder of a messenger from King Azoun. 25,000 first printing.
Starring the Dragons Of The Aisling Grey, Guardian Novels Gabriel Tauhou, wyvern of the silver dragons, has found the one woman who can withstand his fire. Too bad May Northcott is already bound to a demon lord. But when the demon orders May to steal one of Gabrielas treasuresaan immensely important relic of all dragonkina Gabriel has to decide which to protect: his love or his dragons.
The colony was founded seventy years ago. The plan was originally to mine silver, but there turned out not to be any. Now an uneasy peace exists on the island, between the colonists and the once-noble met'Oc, a family in exile on a remote stronghold for their role in a vaguely remembered civil war. The met'Oc are tolerated, in spite of occasional cattle stealing raids, since they alone possess the weapons considered necessary protection in the event of the island's savages becoming hostile. Gignomai is the youngest brother in the current generation of met'Oc. And he is about to provide the spark that will ignite a brutal and bloody war.
May Northcott is at the end of her tether. Her demon boss has moved in and is making life hell. Her scorching hot dragon lover seems to think everything can be solved with a fiery kiss. And worse still, she's being shadowed by her ditsy twin sister - a naiad who simply can't seem to stay out of trouble. The arrival of a nearly-dead man on May's doorstep could be the final spark that sets light to their tinder-box world. And with dragon war imminent, it's looking increasingly like it will be up to May (and her watery shadow) to stop it before the fire consumes them all, and their lives end up in smoke ...
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Time travel, fantasy and alternate history are themes that capture and hold some very loyal readers. Older fans may need or just prefer Large Print; younger fans are often encouraged to read by Large Print.This series offers selections from current and bestselling authors as well as perennial favorites and true classics of the genre.In this ninth book in The Chronicles of Amber series Merle Corey, a.k.a. Merlin, pursues the disappearance of the two people dearest to him: Julia, once murdered and now reincarnated as his enemy, and his father who leaves behind tantalizing signs of life on purpose.What enfolds is a dizzying game of magic and mayhem as Merlin finds himself transported into the shadow realm by the ghost of his great-grandfather . . .