"Knopf"出版的书籍

Harry Hole 06 The Redeemer

A fantastically gripping thriller from the best-selling author of The Snowman.

Christmas shoppers stop to hear a Salvation Army concert on a crowded Oslo street. A gunshot cuts through the music and the bitter cold: one of the singers falls dead, shot in the head at point-blank range. Harry Hole—the Oslo Police Department’s best investigator and worst civil servant—has little to work with: no suspect, no weapon, and no motive. But Harry’s troubles will multiply. As the search closes in, the killer becomes increasingly desperate, and Harry’s chase takes him to the most forbidden corners of the former Yugoslavia.

Yet it’s when he returns to Oslo that he encounters true darkness: among the homeless junkies and Salvationists, eagerly awaiting a savior to deliver them from misery—whether he brings new life or immediate death.

With its shrewdly vertiginous narrative, acid-etched characters, and white-hot pace, The Redeemer is resounding proof of Jo Nesbø’s standing as one of the best crime writers of our time.

From the Hardcover edition.

Review

The Redeemer* rocks! Jo Nesbø is my new favorite thriller writer and Harry Hole my new hero. This book had my pulse in the red zone from start to finish.”
— Michael Connelly

“The Redeemer
is Nesbø’s fourth novel and it proves to be as brilliant as his other three. It provides a grimly realistic portrait of the Norwegian capital — druggies shooting up in public; refugees being exploited in private — as well as an engrossing mystery, full of twists. . . . The Croatian assassin is a fascinating character — a former war hero with a truly fatal gay charm — who has the advantage of ‘hyperelasticity,’ a face so mobile no one can remember it. Nesbø’s work is full of such idiosyncratic detail and it is to be hoped that he won't let the world-weary Hole retire or get fired any time soon.”
Evening Standard (UK)

“The killer’s boyhood in the war-torn Balkans gives added depth to a complex story, impossible to second-guess, which proves that greed, lust and a desire for revenge lurk within the saintliest of folk”.
Daily Telegraph*

“Hole in one. . . . Jo Nesbø has done it again. This autumn’s Harry Hole crime novel is conceived on a large scale and masterfully carried out. . . . One of Norwegian literature’s most outstanding storytellers just happens to be named Jo Nesbø.”
Verdens Gang (Norway)

“Right on the mark. . . .Jo Nesbø draws his bow, takes aim and hits a bull’s eye. He has the language, he has the suspense — and he has Harry Hole. . . . a storyteller who doesn’t give the reader a moment’ s breathing room, it’s full-bore 464 pages to the end. . . . In case you haven’t already been saved by Jo Nesbø, it’s high time you were.”
Bergensavisen (Norway)

"A tour de force. Nesbø has a plot here that is so tightly constructed and compelling that it's impossible to put the book down. This is a serial-killer story, and one with a punch."
— Margaret Cannon, The Globe and Mail

"Nesbø has been gradually climbing up the competitive league of Nordic crime writers. With The Redeemer he's touching the summit, and his hero, the stubborn, insubordinate Oslo detective Harry Hole, has become my favourite copper from those parts. . . . Terrific shocks, tension and atmosphere."
The Times

Review

The Redeemer rocks! Jo Nesbo is my new favorite thriller writer and Harry Hole my new hero. This book had my pulse in the red zone from start to finish Interesting and exciting...Hole and his author provide unusually good reading Literary Review Jo Nesbo is no ordinary writer Sunday Telegraph publication of a new Nesbo is a cause for celebration...deserves to be considered as one of the very best crime novels of the year www.bookgeeks.co.uk Even when you're positive that the mystery is entirely done and dusted, it invariably turns out that the pragmatic Detective Harry Hole has managed to stay three steps ahead and there's more to uncover. Time Out The world is finally catching on to the dark delights of Scandinavian crime fiction, and Norwegian Jo Nesbo is up there at the head of the pack. This is chilling, spectacular stuff, and anyone looking for serious, and seriously compelling crime writing need look no further Nesbo's fourth novel [and it] proves to be as brilliant as his other three...grimly realistic...an engrossing mystery The Scotsman

Harry Hole 09 Phantom

Following from Jo Nesbø's electrifying international best-sellers The Snowman and The Leopard, now comes Phantom, which plunges the brilliant, deeply troubled, now former police officer Harry Hole into a full-tilt investigation on which his own tenuous future will come to depend.

When Harry left Oslo again for Hong Kong—fleeing the traumas of life as a cop—he thought he was there for good. But then the unthinkable happened. The son of the woman he loved, lost, and still loves is arrested for murder: Oleg, the boy Harry helped raise but couldn't help deserting when he fled. Harry has come back to prove that Oleg is not a killer. Barred from rejoining the police force, he sets out on a solitary, increasingly dangerous investigation that takes him deep into the world of the most virulent drug to ever hit the streets of Oslo (and the careers of some of the city's highest officials), and into the maze of his own past, where he will find the wrenching truth that finally matters to Oleg, and to himself.

Amazon.com Review

Amazon Exclusive: An Essay by Jo Nesbø on Harry Hole

It is not easy to summarize the protagonist of the series in a few words, but here are some features of Harry’s personality that are important to me when I write about him: he’s the type of guy who is driven by his good side as well as his darker side. At times he believes in his role as law enforcer, at other times he doesn’t. And occasionally he is so gripped by his emotions that they overwhelm his basic belief in the principles of a state governed by law. He hunts down criminals with such an intense hatred and finds revenge so hard to resist that at times he could be mistaken for the antagonists he is fighting. But at the same time he can feel empathy for, perhaps even a kinship with, the lawbreaker. Harry Hole is a hero with pronounced weaknesses. All interesting heroes have an Achilles heel, and in Harry’s case, it is alcohol.

Harry feels something akin to what the serial killer feels, the same tension and excitement, when he approaches a victim and the same anti-climax after the killer is caught. It is Harry’s ambition to understand both love and evil. He is a passionate guy in all ways. And he is the type of man who has difficulties controlling his impulses. The fact that he cannot set limits permeates his drinking habits and his attitude to his job. He takes on cases and is swallowed up by them. It is the same with his relationships with women. I could have chosen to make Harry and Rakel live happily ever after and have children, but then we have a completely different person. I like the fact that he is in transit in his own life, as far as his emotions and his job are concerned. I'm often asked how much Harry and I have in common. I won't answer that in detail, but when you make a person a hero, as a writer you are bound to have at least a basic set of values, a goal, a need or a longing that you can relate to.

Review

1 NATIONAL BESTSELLER (Norway)

Finalist 2011 – Norwegian Booksellers’ Prize 

“Jo Nesbo is a master of his craft…. World-class crime writing. Phantom is a crime novel that pleases on every level.”
Dagbladet (Norway)

“Harry Hole, better than ever.”
Dagsavisen (Norway)

“Possibly the best in the series.”
Dagens Næringsliv (Norway)

“Masterfully done.”
Vårt Land (Norway)

“With a steady hand, Jo Nesbo deftly ties together the different narratives, steering the novel towards its goal with great precision.... The fact that Harry Hole is a character in constant development makes the book even more interesting.”
VG (Norway)

“I’m happy to announce that all expectations are met.... What’s most salient is Jo Nesbo’s intense, eloquent yet terse prose. The same goes for his talent as a storyteller, as well as his eye for narrative construction.”
NRK (Norway)

The Girl with the Dragon Tattoo

A 24-year-old computer hacker sporting an assortment of tattoos and body piercings and afflicted with Asperger Syndrome or something of the like has been under state guardianship in her native Sweden since she was thirteen. She supports herself by doing deep background investigations for Dragan Armansky, who, in turn, worries the anorexic-looking Lisbeth Salander is "the perfect victim for anyone who wished her ill." Salander may look fourteen and stubbornly shun social norms, but she possesses the inner strength of a determined survivor. She sees more than her word processor page in black and white and despises the users and abusers of this world. She won't hesitate to exact her own unique brand of retribution against small-potatoes bullies, sick predators, and corrupt magnates alike. Financial journalist Carl Mikael Blomkvist has just been convicted of libeling a financier and is facing a fine and three months in jail. Blomkvist, after a Salander-completed background check, is summoned to a meeting with semi-retired industrialist Henrik Vanger whose far-flung but shrinking corporate empire is wholly family owned. Vanger has brooded for 36 years about the fate of his great niece, Harriet. Blomkvist is expected to live for a year on the island where many Vanger family members still reside and where Harriet was last seen. Under the cover story that he is writing a family history, Blomkvist is to investigate which family member might have done away with the teenager. So, the stage is set. The reader easily guesses early that somehow Blomkvist and Salander will pool their talents to probe the Vanger mystery. However,Swede Stieg Larsson's The Girl with the Dragon Tattoo is no humdrum, formulaic whodunit. It is fascinating and very difficult to put down. Nor is it without some really suspenseful and chillingly ugly scenes.... The issue most saturating The Girl with the Dragon Tattoo is that of shocking sexual violence primarily against women but not excluding men. Salander and Blomkvist both confront prima facie evidence of such crimes. Larsson's other major constituent elements are corporate malfeasance that threatens complete collapse of stock markets and anarchistic distrust of officialdom to the point of endorsing (at least, almost) vigilantism. He also deals with racism as he spins a complex web from strands of real and imagined history concerning mid-twentieth century Vanger affiliations with Sweden's fascist groups. But Larsson's carefully calibrated tale is more than a grisly, cynical world view of his country and the modern world at large. At its core, it is an fascinating character study of a young woman who easily masters computer code but for whom human interaction is almost always more trouble than it is worth, of an investigative reporter who chooses a path of less resistance than Salander but whose humanity reaches out to many including her, and of peripheral characters -- such as Armansky -- who need more of their story told. Fortunately, The Girl with the Dragon Tattoo in English translation will be followed by two more in the Millennium series: The Girl Who Played with Fire, and The Air Castle that Blew Up. I can't wait. Larsson also made a 200-page start on a fourth book, but sadly he succumbed to a heart attack in 2004 and his father decided the unfinished work will remain unpublished.

Duty

From the former secretary of defense, a strikingly candid, vividly written account of his experience serving Presidents George W. Bush and Barack Obama during the wars in Iraq and Afghanistan. Before Robert M. Gates received a call from the White House in 2006, he thought he’d left Washington politics behind: after working for six presidents in both the CIA and the National Security Council, he was happy in his role as president of Texas A&M University. But when he was asked to help a nation mired in two wars and to aid the troops doing the fighting, he answered what he felt was the call of duty. Now, in this unsparing memoir, meticulously fair in its assessments, he takes us behind the scenes of his nearly five years as a secretary at war: the battles with Congress, the two presidents he served, the military itself, and the vast Pentagon bureaucracy; his efforts to help Bush turn the tide in Iraq; his role as a guiding, and often dissenting, voice for Obama; the ardent devotion to and love for American soldiers—his “heroes”—he developed on the job. In relating his personal journey as secretary, Gates draws us into the innermost sanctums of government and military power during the height of the Iraq and Afghanistan wars, illuminating iconic figures, vital negotiations, and critical situations in revealing, intimate detail. Offering unvarnished appraisals of Dick Cheney, Joe Biden, Hillary Clinton, and Presidents Bush and Obama among other key players, Gates exposes the full spectrum of behind-closed-doors politicking within both the Bush and Obama administrations. He discusses the great controversies of his tenure—surges in both Iraq and Afghanistan, how to deal with Iran and Syria, “Don’t Ask Don’t Tell,” Guantánamo Bay, WikiLeaks—as they played out behind the television cameras. He brings to life the Situation Room during the Bin Laden raid. And, searingly, he shows how congressional debate and action or inaction on everything from equipment budgeting to troop withdrawals was often motivated, to his increasing despair and anger, more by party politics and media impact than by members’ desires to protect our soldiers and ensure their success. However embroiled he became in the trials of Washington, Gates makes clear that his heart was always in the most important theater of his tenure as secretary: the front lines. We journey with him to both war zones as he meets with active-duty troops and their commanders, awed by their courage, and also witness him greet coffin after flag-draped coffin returned to U.S. soil, heartbreakingly aware that he signed every deployment order. In frank and poignant vignettes, Gates conveys the human cost of war, and his admiration for those brave enough to undertake it when necessary. Duty tells a powerful and deeply personal story that allows us an unprecedented look at two administrations and the wars that have defined them.

Daily Rituals How Artists Work

Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.”

Kafka is one of 161 inspired—and inspiring—minds, among them, novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians, who describe how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”. . . Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day . . . Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.”

Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books . . . Karl Marx . . . Woody Allen . . . Agatha Christie . . . George Balanchine, who did most of his work while ironing . . . Leo Tolstoy . . . Charles Dickens . . . Pablo Picasso . . . George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers . . .

Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).

Brilliantly compiled and edited, and filled with detail and anecdote, Daily Rituals is irresistible, addictive, magically inspiring.

Perilous Fight

In Perilous Fight, Stephen Budiansky tells the rousing story of the underdog coterie of American seamen and their visionary secretary of the navy, who combined bravery and strategic innovation to hold off the legendary Royal Navy. Budiansky vividly demonstrates that far from an indecisive and unnecessary conflict—as historians have long dismissed the War of 1812—this “forgotten war” had profound consequences that would change the course of naval warfare, America’s place in the world, and the rules of international conflict forever. Never again would the great powers challenge the young republic’s sovereignty in the aftermath of the stunning performance of America’s navy and privateersmen in sea battles that ranged across half the globe. Their brilliant hit-and-run tactics against a far mightier foe would pioneer concepts of “asymmetric warfare” that would characterize the insurgency warfare of later centuries. Above all, the War of 1812 would be the making of the United States Navy. Even as the war began, the nation was bitterly divided over whether it should have a navy at all: Jeffersonian Republicans denounced the idea as a dangerous expansion of government power, while Federalists insisted that America could never protect its burgeoning seagoing commerce or command respect without a strong naval force. After the war, Americans would never again doubt that their might, respect, and very survival depended upon a permanent and professional navy. Drawing extensively on diaries, letters, and personal accounts from both sides, Budiansky re-creates the riveting encounters at sea in bloody clashes of cannonfire and swordplay; the intimate hopes and fears of vainglorious captains and young seamen in search of adventure; and the behind-the-scenes political intrigue and maneuvering in Washington and London. Throughout, Perilous Fight proves itself a gripping and essential work of American naval history.