Harry Bosch teams up with LAPD Detective Renée Ballard in the new novel from #1 New York Times bestselling author Michael Connelly.
Detective Renée Ballard is working the night beat--known in LAPD slang as "the late show"--and returns to Hollywood Station in the early hours to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin.
Ballard can't let him go through department records, but when he leaves, she looks into the case herself and feels a deep tug of empathy and anger. She has never been the kind of cop who leaves the job behind at the end of her shift--and she wants in.
The murder, unsolved, was of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally killed, her body left in a dumpster like so much trash. Now Ballard joins forces with Bosch to find out what happened to Daisy, and to finally bring her killer to justice. Along the way, the two detectives forge a fragile trust, but this new partnership is put to the test when the case takes an unexpected and dangerous turn.
Dark Sacred Night for the first time brings together these two powerhouse detectives in a riveting story that unfolds with furious momentum. And it shows once more why "there's no doubt Connelly is a master of crime fiction" (Associated Press).
**
Michael Connelly, author of suspense thriller and detective mysteries, has written several #1 New York Times bestsellers and numerous titles that made the New York Times and USA Today bestseller lists. He has won most every award given in the mystery and thriller genres, including the Anthony Award for Best Novel and the Barry Award for Best Novel. He is a former newspaper reporter who also won numerous awards for his journalism.
In the new thriller from #1 New York Times bestselling author Michael Connelly, Detective Harry Bosch and his rookie partner investigate a cold case that gets very hot... very fast.
In the LAPD's Open-Unsolved Unit, not many murder victims die a decade after the crime. So when a man succumbs to complications from being shot by a stray bullet ten years earlier, Bosch catches a case in which the body is still fresh, but any other clues are virtually nonexistent. Even a veteran cop would find this one tough going, but Bosch's new partner, Detective Lucia Soto, has no homicide experience. A young star in the department, Soto has been assigned to Bosch so that he can pass on to her his hard-won expertise.
Now Bosch and Soto are tasked with solving a murder that turns out to be highly charged and politically sensitive. Beginning with the bullet that has been lodged for years in the victim's spine, they must pull new leads from years-old evidence, and these soon reveal that the shooting was anything but random.
As their investigation picks up speed, it leads to another unsolved case with even greater stakes: the deaths of several children in a fire that occurred twenty years ago. But when their work starts to threaten careers and lives, Bosch and Soto must decide whether it is worth risking everything to find the truth, or if it's safer to let some secrets stay buried.
In a swiftly-moving novel as relentless and compelling as its hero, Michael Connelly shows once again why Harry Bosch is "one of the most popular and enduring figures in American crime fiction" (Chicago Tribune).
"This is the finest crime series written by an American....There are few fictional characters we know so well; Harry is an old friend now."—Patrick Anderson, *Washington Post*
"Bosch has become one of the most popular and enduring figures in American crime fiction."—Kevin Nance, *Chicago Tribune*
"The Black Echo introduced Connelly as the heir apparent to Raymond Chandler and also helped usher in a new approach to the police procedural. Now, twenty years later, Connelly is still writing about Harry Bosch, continuing to discover new layers to this now iconic character with increasingly complex and believable plots....Connelly makes him a fresh and original character each outing."—Oline H. Cogdill, *Miami Herald*
"Bosch has become Mr. Connelly's most durable, well-entrenched creation."—Janet Maslin, *New York Times*
"Connelly proves again that neither he nor Bosch has lost his touch."—Christian DuChateau, CNN
"Harry Bosch is as formidable as he ever was."—Sherryl Connelly, *New York Daily News*
"Connelly's writing is like the best flavor of ice cream: reliably delicious every time."—Jeff Ayers, *Associated Press*
Michael Connelly is the author of twenty-five previous novels including the #1 New York Times bestsellers The Gods of Guilt, The Black Box, The Drop, The Fifth Witness, The Reversal, The Scarecrow, The Brass Verdict, and The Lincoln Lawyer, as well as the bestselling Harry Bosch series of novels. He is a former newspaper reporter who has won numerous awards for his journalism and his novels. He spends his time in California and Florida.
A bullet speaks louder than words . . . when Lincoln lawyer Mickey Haller and LAPD Detective Harry Bosch team up in the new novel by Michael Connelly. Lincoln lawyer Mickey Haller and LAPD Detective Harry Bosch team up in this new novel by Michael Connelly. Things are finally looking up for defence attorney Mickey Haller. After two years of wrong turns, Haller is back in the courtroom. When Hollywood lawyer Jerry Vincent is murdered, Haller inherits his biggest case yet: the defense of Walter Elliott, a prominent studio executive accused of murdering his wife and her lover. But as Haller prepares for the case that could launch him into the big time, he learns that Vincent's killer may be coming for him next. Enter Harry Bosch. Determined to find Vincent's killer, he is not opposed to using Haller as bait. But as danger mounts and the stakes rise, these two loners realise their only choice is to work together.
This #1 bestselling legal thriller from Michael Connelly is a stunning display of novelistic mastery - as human, as gripping, and as whiplash-surprising as any novel yet from the writer Publishers Weekly has called "today's Dostoevsky of crime literature."
Mickey Haller is a Lincoln Lawyer, a criminal defense attorney who operates out of the backseat of his Lincoln Town Car, traveling between the far-flung courthouses of Los Angeles to defend clients of every kind. Bikers, con artists, drunk drivers, drug dealers - they're all on Mickey Haller's client list. For him, the law is rarely about guilt or innocence, it's about negotiation and manipulation. Sometimes it's even about justice.
A Beverly Hills playboy arrested for attacking a woman he picked up in a bar chooses Haller to defend him, and Mickey has his first high-paying client in years. It is a defense attorney's dream, what they call a franchise case. And as the evidence stacks up, Haller comes to believe this may be the easiest case of his career. Then someone close to him is murdered and Haller discovers that his search for innocence has brought him face-to-face with evil as pure as a flame. To escape without being burned, he must deploy every tactic, feint, and instinct in his arsenal - this time to save his own life.
Q&A with Michael Connelly
Q: The Lincoln Lawyer is your second book to be made into a movie. How does that feel?
A: I am very fortunate to have this experience even once. I wish every writer got a chance to see the written work translated to the visual. It is quite thrilling.
Q: You’ve said that Matthew McConaughey nails the character of Mickey Haller. In what ways?
A: I would say it is in many subtle ways that add up to a big performance. Mickey is a guy who is always looking for an angle. He is a bit cynical and cocky. At different times in the movie McConaughey seems to convey these character aspects without dialogue. Then when it comes to dialogue and action he delivers flawlessly. The story is about a cool, calm man being put into a desperate situation. McConaughey makes that leap convincingly.
Q: What was your involvement in the making of the movie?
A: Almost none. I looked at the first and last versions of the script, took a few phone calls from producers and location scouts, and that was about it. I think my biggest contribution outside of writing the book was giving my trust to Tom Rosenberg and Gary Lucchesi, the producers. They promised me six years ago that they would keep the gritty realism of the story – the-law-in-the-trenches aspect of it. I trusted them to do that and with Brad Furman, the director, they came through.
Q: What were your immediate thoughts when you first read the script? When you heard about each cast member?
A: Depends on which script. It was a long-running work in progress. I went from not liking the first effort to being blown away by the last version. I am a huge believer in rewriting in my own work so I knew that the more time they spent with the script, the better it would become. As far as casting goes, I don't write with anybody in mind. But I saw Tropic Thunder with Matthew McConaughey in it and immediately thought he would be good at being Mickey Haller. A year later he was cast, so I was happy from the start. The rest of the cast is just fantastic. As each was announced, I became more and more excited. John Leguizamo was in Brad Furman's previous film and was just excellent. When I heard he was aboard, it was a great day. Same with all the rest. Bryan Cranston happens to be the star of my favorite show, Breaking Bad. So I couldn't be happier with him in the cast.
Q: What was your inspiration for The Lincoln Lawyer? Is Mickey Haller based on someone you know?
A: I met an attorney who worked out of his car, not because he was not doing well but because he believed it was the best way to do the job in L.A. That was the spark, and it went from there.
Q: Are there any scenes in the film that you wish were in the book?
A: There are definitely a few lines I wish were in the book. There is a scene where Mickey drops his sleeping daughter off at his ex-wife's home. It is a poignant scene that I really love and could have used in the book.
Q: Did you visit the set while they were filming the movie? What was that experience like?
A: I went four different times and scheduled the visits to coincide with the shooting of some significant scenes. I loved what I was seeing on both sides of the camera: a lot of dedication to the project. Everyone on the crew felt like they were making something good. It was great to witness.
Starred Review. Connelly's first legal thriller has gotten virtually universal raves for its courage, plotting and humor—and those qualities also make the audio version a triumph. Grupper vividly brings to life Connelly's large cast of characters: from the shrewd, hard-working criminal defense lawyer Mickey Haller—whose office is the back seat of his Lincoln Town Car and who spends his advertising budget in the Yellow Pages—to the sleazy collection of biker outlaws, con artists and prostitutes who make up most of his clients. Grupper is especially subtle as he reads the words of Louis Ross Roulet, a Beverly Hills real estate agent charged with attempted murder—a character whose guilt and motives darken at every appearance. Haller distrusts Roulet almost immediately, but he also sees the man's wealthy mother as the source of the long-running financial franchise every criminal lawyer longs for. Grupper's take on Connelly's scenes between Haller and Roulet is taut and fascinating: an audio tour-de-force of the highest order. Equally compelling are Haller's scenes with his two ex-wives; his friend and investigator; and a compelling client from the past who went to prison because Mickey couldn't believe he was innocent. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Mickey Haller has fallen on tough times. He expands his business into foreclosure defense, only to see one of his clients accused of killing the banker she blames for trying to take away her home.
Mickey puts his team into high gear to exonerate Lisa Trammel, even though the evidence and his own suspicions tell him his client is guilty. Soon after he learns that the victim had black market dealings of his own, Haller is assaulted, too—and he's certain he's on the right trail.
Despite the danger and uncertainty, Haller mounts the best defense of his career in a trial where the last surprise comes after the verdict is in. Connelly proves again why he "may very well be the best novelist working in the United States today" (San Francisco Chronicle).
Winner of the 2012 Harper Lee Prize for Legal Fiction
Longtime defense attorney Mickey Haller is recruited to change stripes and prosecute the high-profile retrial of a brutal child murder. After 24 years in prison, convicted killer Jason Jessup has been exonerated by new DNA evidence. Haller is convinced Jessup is guilty, and he takes the case on the condition that he gets to choose his investigator, LAPD Detective Harry Bosch.
Together, Bosch and Haller set off on a case fraught with political and personal danger. Opposing them is Jessup, now out on bail, a defense attorney who excels at manipulating the media, and a runaway eyewitness reluctant to testify after so many years.
With the odds and the evidence against them, Bosch and Haller must nail a sadistic killer once and for all. If Bosch is sure of anything, it is that Jason Jessup plans to kill again.
Connelly's new thriller features two of his series heroes-the wily defense attorney Mickey Haller and his half-brother, LAPD detective Harry Bosch. This time Haller is working the other side of the courtroom, as a special independent prosecutor trying to keep a very nasty child molester and killer behind bars, with Bosch doing his legwork. As we've seen in The Brass Verdict, the author has Haller narrating his chapters, while the Bosch-centered sections are told in the third person. For the former, Peter Giles has developed a breezy, fast-paced vocal approach, while the detective's process is presented in a tougher, no frills manner. Additional characters are provided their own unique voices, including the smooth-talking district attorney, the arrogant villain, Haller's icy-but-melting former wife, and a brave but wavering witness to the crime. Not only is the production highly entertaining, the package is particularly generous, offering an additional two CDs containing unabridged MP3-format versions of The Reversal and the previous Haller-Bosch match, The Brass Verdict, also read by Giles. A Little, Brown hardcover. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved.
Starred Review Connelly may be our most versatile crime writer. His Harry Bosch series has taken the hard-boiled cop novel to a new level of complexity, both in its portrayal of the hero’s inner life and in Connelly’s ability to intertwine landscape and meaning. His Mickey Haller novels, on the other hand, starring the maverick lawyer who uses his Lincoln Town Car as an office, are testaments to the sublime architecture of plot. With the crime novel now commonly rubbing elbows with literary fiction, it sometimes seems that pure story has become a forgotten stepchild. In his Haller novels, Connelly reminds us how satisfying it can be to follow the path of a well-constructed plot. So it is here, in the third Haller novel, which finds the antiestablishment attorney accepting an unlikely offer: a one-time gig as a prosecutor, retrying a case in which a killer’s 24-year-old conviction has been overturned on the basis of DNA. Taking second chair will be Haller’s ex-wife, the formidable Maggie, with Harry Bosch (identified in The Brass Verdict, 2008, as Haller’s half brother) serving as special investigator. The table is set for a straightforward legal thriller, albeit one starring three superbly multidimensional characters. And, yet, Connelly bobs and weaves around all our expectations. There is suspense, of course, and there are plenty of surprises, both in the courtroom and outside of it, but this is a plot that won’t be pigeonholed. Reading this book is like watching a master craftsman, slowly and carefully, brick by brick, build something that holds together exquisitely, form and function in perfect alignment. --Bill Ott
Defense attorney Mickey Haller returns with a haunting case in the gripping new thriller from #1 New York Times bestselling author Michael Connelly. Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why...
Six months ago, Harry Bosch left the LAPD before they could fire him, and then hired maverick Defense Attorney Mickey Haller to sue the department for forcing him out. Although it wasn’t the way he wanted to go, Harry has to admit that being out of the game has its benefits. Until Mickey asks him to help on one of his cases, and suddenly Harry is back where he belongs, right in the centre of a particularly puzzling murder mystery. The difference is, this time Harry is working for the defense, aiming to prevent the accused, Leland Foster, from being convicted. And not only does the prosecution seem to have a cast-iron case, but having crossed over to ‘the dark side’ as his former colleagues would put it, Harry is in danger of betraying the very principles he’s lived by his whole career.
At the end of CITY OF BONES Harry Bosch quit the LAPD, but he's back in a new role, one that will give him more freedom to pursue the cases that compel him. When he left the LAPD Bosch took a file with him - the case of a film production assistant murdered four years earlier during a $2 million robbery on a movie set. The LAPD, now operating under post 9/11 rules, think the stolen money was used to finance a terrorist training camp. Thoughts of the original murder victim are lost in the federal zeal, and when it seems the killer will be set free to aid the feds' terrorist hunt, Bosch quickly falls foul of both his old colleagues and the FBI.
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Harry Bosch teams up with LAPD Detective Renée Ballard in the new novel from #1 New York Times bestselling author Michael Connelly.
Detective Renée Ballard is working the night beat--known in LAPD slang as "the late show"--and returns to Hollywood Station in the early hours to find a stranger rifling through old file cabinets. The intruder is retired detective Harry Bosch, working a cold case that has gotten under his skin.
Ballard can't let him go through department records, but when he leaves, she looks into the case herself and feels a deep tug of empathy and anger. She has never been the kind of cop who leaves the job behind at the end of her shift--and she wants in.
The murder, unsolved, was of fifteen-year-old Daisy Clayton, a runaway on the streets of Hollywood who was brutally killed, her body left in a dumpster like so much trash. Now Ballard joins forces with Bosch to find out what happened to Daisy, and to finally bring her killer to justice. Along the way, the two detectives forge a fragile trust, but this new partnership is put to the test when the case takes an unexpected and dangerous turn.
Dark Sacred Night for the first time brings together these two powerhouse detectives in a riveting story that unfolds with furious momentum. And it shows once more why "there's no doubt Connelly is a master of crime fiction" (Associated Press).
**
About the Author
Michael Connelly, author of suspense thriller and detective mysteries, has written several #1 New York Times bestsellers and numerous titles that made the New York Times and USA Today bestseller lists. He has won most every award given in the mystery and thriller genres, including the Anthony Award for Best Novel and the Barry Award for Best Novel. He is a former newspaper reporter who also won numerous awards for his journalism.